Today we are looking at the third piece of the puzzle of the Exposure Triangle. ISO, what it is and what it does.
So now we're looking at ISO, the third piece of the puzzle of what is traditionally referred to as the Exposure Triangle.
When you combine the three elements of the Exposure Triangle, they interact with each other in what's often referred to as the law of reciprocity.
This reciprocating relationship between aperture, shutter speed and ISO allows us to take control of the light coming into the camera - and we chose which of the three elements will take priority, which side effects will dominate and which do not.
What actually is ISO?
I meet very few photographers who fully understand what ISO is. I meet even fewer who know what the initials ISO stand for.
ISO is an independent, non-governmental international organisation that looks after thousands of standards worldwide. Based in Geneva, Switzerland, the International Organization for Standardization controls over 24,000 standards (at the time of writing) from health and the environment, to electrical engineering and telecommunications, and of course... photography.
Its range of influence on world standards is huge and from our perspective, any camera manufacturer, wishing to produce a new camera sensor, has to follow ISO's guidelines to comply with international standards.
Photography has a number of standards controlled by ISO, but perhaps ISO12232:2019 is the one we're most interested in today.
'the method for assigning and reporting ISO speed ratings, ISO speed latitude ratings, standard output sensitivity values, and recommended exposure index values, for digital still cameras. It is applicable to both monochrome and colour digital still cameras'
(below is a screenshot of their sensor standards page)
Back to our cameras
ISO replaced the old film-speed rating ASA (American Standards Association) around 1987.
Back in the day, you would buy a roll of film which had a fixed speed rating (eg. ASA100, ASA200, or ASA400) and you were locked into that rating.
The Ilford black & white film below, had a speed-rating of 125.
Come the arrival of digital cameras, we found that we were able to change that speed rating (or ISO) to virtually whatever we wanted, and a whole new era of flexible exposure control began.
This week's Tog-Talk is quite a short one, but I think you will find it interesting.
If you have any questions, write to me at: firstname.lastname@example.org
Some links from this week's Tog-Talk
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